2011
2012
2013
2014
2015
2011
< THE CHILDREN'S CITY>
URBAN & DESIGN WHORKSHOP
Organization
Arquitectura Se Mueve
Tutors
Basurama
Year
2011
Location
El Cabanyal (Valencia)
Explanation
The Workshop was organized by Arquitectura Se Mueve’s collective, and supported by the Cultural Department of the Valencia’s Polytechnic University with two main premises:
1.Re-thinking the Public Space from the view of the childrens, realizing about how our cities are always designed from the view of the adults.
2. Re-use and recycle “basura” (Trash) with the help of BASURAMA to make the relevant changes in Public Space.
For the first part of the workshop, we had the collaboration of the Enrique Terrassa Public School. It is placed in the Cabanyal area which is known in Valencia because of being one of the most patrimonial neighbourhoods close to the beach with political and economic interests and strong social problems because of a strong gypsy immigration.
This school, let us one week to work with their pupils and think with them the places of the neighbourhood that were in good conditions for children but they don’t use because the areas are not interesting for them.
After that week of field work, we designed some street games with matherials from the trash store of the University.
Finnally, we call the childrens, their dads and mums and made an evening-playground-party with them. The toys that they most liked, we re donated to the school at the end of the day.
2012
< SUNDAY PLANTPOTS >
INDEPENDENT INTERVENTION
Explanation
2012 Was the year in which all Arquitectura Se Mueve Collective’s members were moved out to different cities all over the world.
One day, after a skype, we realice how all our new cities were at the same time similars and differents. All of us where having a skype in Sunday, because Sunday is the day to make “other things” even with different cultures, weather, or seassons…
After 6 years of working in the public space of, Valencia, we found it interesting and funy to make our non-sense farewell performance in a foreing place.
So, we decided to patch up a small place of a closer square and put some “Sunday plantpots” to monitoring what would happen with them without any add intention. Just curiosity... our small element, it would change the space? People would like it and imitate it? Someone would take care of it? It would be forgoten?
In any case, our last chance to use the public space in the way we wanted to use it, even if it haven’t non-sense.
Project by:
Ana Almazán
Elena de Oleza
Rocio Conesa
Mónica Martín
Juan Montaña
Joana Colom
Year
2012
Location
Ahmedabad / Budapest / Quito / París / Valencia.
Web
https://calatrama.wordpress.com/2012/05/15/macetas-de-domingo/
2013
< THEY ARE COMING!!! >
WHORKSHOP TUTORIZATION
Explanation
2012 Was the year in which all Arquitectura Se Mueve Collective’s members were moved out to different cities all over the world.
One day, after a skype, we realice how all our new cities were at the same time similars and differents. All of us where having a skype in Sunday, because Sunday is the day to make “other things” even with different cultures, weather, or seassons…
After 6 years of working in the public space of, Valencia, we found it interesting and funy to make our non-sense farewell performance in a foreing place.
So, we decided to patch up a small place of a closer square and put some “Sunday plantpots” to monitoring what would happen with them without any add intention. Just curiosity... our small element, it would change the space? People would like it and imitate it? Someone would take care of it? It would be forgoten?
In any case, our last chance to use the public space in the way we wanted to use it, even if it haven’t non-sense.
Organization
IFAC
Idea
Mar Vicens
Elena de Oleza
Matilde Igual
Mónica Martín
Tutors
Matilde Igual
Elena de Oleza
Elena Martinez
Mónica Martín
Year
2013
Location
Covarrubias (Burgos, Spain)
2014
< THE CITYZEN'S CARAVAN >
URBAN INTERVENTION
Explanation
The semestral subject spins around investigation of the mat-building systems and how in the 60’s theorics as Christopher Alexander and J. Habraken, criticizing the Smithsons and Team X ideas trying to lead a different movement that put the foccus on humans.
After the urban analysis and watching the difficulties of the area, we conclude that the lack of identity and disconnection of the area, have make La Punta a place where people don’t want to live, causing a depopulation in the area.
The project was an essay of how to solve the systematization of the mat-buildings taking into account the considerations and critics that architecture history has made to this movement, try to find new proposals.
The conclusion of the work was the incompatibility that modern systems way of thought have with human views, activities and necessities. Finnally, was really dificult find a sistematization of a city that don’t make the area a concrete desert even if we try to mix uses, make common areas and descentralizing information.
The proposal that is shown here consists in three different systems that repeats the actions in 3 different scales.
The main idea extracted from the analysis is to condense and regenerate the main street that La Punta conserves from de 50’s mixing the old existing houses and the new ones generated by the project to consolidate the area. The project also solve the 3 main points (the entrance form North, the entrance from south and the transition below the road, in the center of the street).
Project by
European Alternatives
David Estal
Mónica Martín
Ejecution
David Estal
José Belenguer
Juan Montaña
Mónica Martín
Colaborators
Fernando Carranza
Elena Martinez
Year
2012
Location
Valencia (Spain)
2015
< TODO LO QUE SOBRA >
URBAN INTERVENTION
Project by
ESCIF
Realization
Mónica Martín
David Estal
José Belenguer
Fet d'encàrrec
Emilio Miralles
Pepe Henche
Year
2012
Location
Valencia (Spain)
Web
http://www.streetagainst.com/2015/03/131-todo-lo-que-sobra-valencia-spain-2/
Explanation
The popular version of the origin of the “Fallas” (most popular street party in Valencia) says that they were started by the carpenters’ guild. On his patron’s day eve (San José), they burnt in the bonfire the woodchips and all what was left, making a cleaning of the workshop places before spring would arrive.
The proposal that Escif presented on “Falla Corona” this year consists in reproducing those elements that are in ‘excess’ in the habitual Falla’s stage.
Make a Falla with everything what isn’t a Falla, but it is a part of, irremediably, the transformation of the urban scene while this celebration is taking place. Elements which have to be removed to clear the space as well the complements of the Fallero building. Therefore, the Falla will consist in different objects copied from the reality, as a gray container, traffic signs, three stopped vehicles in the square, two empty firecracker boxes, bicycles, bollards, three tobacco boxes, four bags of snacks, separation fences with their advertisements, five chew-gums stuck, twelve cigarette ends, broken glasses, confetti…
Where are the limits between fiction and reality?
Where are the limits between life and show?
Where are the limits between what it is and what it isn’t?”